Enjoy the continuation of my love affair with the work of Bendis.
For the Love of Bendis: Alias
Jessica Jones is my version of a great comics character. She is tough, cynical, and humanly flawed. On the other hand she occasionally uses her super powers and knows a few costumed folks. She is the star of Brian Michael Bendis's series Alias which ran for 28 issues. Far too short a run in my opinion. Last June I fell in love with this series after reading the first 9 issues, and now I've finished the Omnibus which contains the rest of the series.
I am kicking myself that it took me this long. This series is post-modern, humanistic, and incredible. Bendis allows Jones to occasionally go off the deep end like anyone would in her circumstance. She drinks too much, sleeps around, and gets into fights. But at the core of her character Bendis can illustrate that she is a good person seeking redemption. The girl just has some issues is all.
This series showcases everything that I love about Bendis's work. He is a master of dialogue. Jones is a detective and has to listen to her client's stories, pick out the clues, and separate the truth from the lies. Bendis, aided by dynamic layout from artist Gaydos, illustrates this in scenes which cinematically juxtapose the speaker and Jessica. We see Jessica listening in panels placed above as the client/suspect/witness is speaking. It's a great effect that showcases Bendis's talent for character's voices. Like his other series Powers, Bendis loves to write vernacular dialogue. He's not afraid to have superhero characters speak like everyone else.
In comics there tends to be a need to portray characters as larger-than-life and squeeky clean. Marvel is known for portraying more humanistic characters, but even they have characters like Captain America and Matt Murdock. Cap, Matt Murdock, and even Cyclops are often really dull because they are so straight and narrow. Now don't get me wrong, there's a time and place for that, but I'm much more interested in Bendis's characterizations. Now while Cap and Murdock do make cameos in Alias they are much more real when in scenes with Jones. Bendis also excels in scenes between Jones and her off-again-on-again lover Luke Cage. You can feel the sparks fly between them on the comic page. Poor Scott Lang-the guy didn't have a chance really.
If you get the chance you need to read this book in hardcover omnibus because it showcases the beauty of Michael Gaydos's art. It is amazing and dynamic. I really love his use of panel design which is wildly cinematic. Oftentimes he'll cut conversations just like a film with a combination of close-ups and reaction shots. He's also willing to change it up, especially in the multi-media collage of Rebecca's journal. Now granted sometimes I did get lost and read the panels wrong. In this book that's just a give-in because Gaydos is intent on showcasing an independent spirit. Also I want to shout out Mark Bagley's art in the flashbacks. It was perfect to show Jones's origin in a traditional style considering she's being ret-conned into Marvel continuity.
(BTW I'm not really a continuity nerd, so I loved the idea that she went to school with Peter Parker. It's hilarious that Bendis links her to the very beginning of the Marvel Universe. Her crush on Peter Parker is cute.)
By finally giving the readers Jones's back story with The Purple Man, Bendis shows Johns-like mastery of revitalizing C-grade characters. In Bendis's hands a ridiculous character becomes a nightmare man. Considering how messed up Jessica is, it had to be something psychological. In the past the Purple Man has often been portrayed as foolish. Here he's a dangerous awful man. I understand that Purple Man is also used in Bendis's Daredevil run. If his characterization in this series is any indication, then I've got to read that. Like Now.
It's a crime that Alias ends so soon. Although I love how it ends, I would trade anything to bring it back.
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